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Albrecht Durer
The Descent from the Cross
mk168
1507
115x71mm
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Albrecht Durer
THe Last supper
mk168
1523
Woodcut
213x301mm
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Albrecht Durer
The holy trinity
mk168
392x284mm
1511
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Albrecht Durer
The Madonna with the pear
mk168
158x106mm
1511
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Albrecht Durer
The Virgin by the Wall
mk168
1514
147x102mm
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Albrecht Durer
Virgin with the Swaddled
mk168
1520
142x95mm
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Albrecht Durer
St.Christopher
mk168
46x36cm
Oil on wood
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Albrecht Durer
The Adoration of the magi
mk168
Oil on fir wood
75.5x170cm
Basel
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Albrecht Durer
THe Infant Savior
mk168
118x93mm
1493
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Albrecht Durer
The Holy Family
mk168
160x112mm
Temper on vellum
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Albrecht Durer
The Virgin as Mater Dolorosa
mk168
109x43cm
Oil on coniferous wood
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Albrecht Durer
The Bearing of the Cross
mk168
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Albrecht Durer
The Virgin with the Sleeping clild between Sts.Anthony
mk168
191x96.5cm
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Albrecht Durer
Job Castigated by his wife
mk168
94x51cm
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Albrecht Durer
Piper and Drummer
mk168
94x51cm
Oil on linden wood
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Albrecht Durer
Sts.Joseph and Joachim
mk168
Oil on linden wood
94x54cm
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Albrecht Durer
Sts.Simeon and Lazarus
mk168
97x55cm
Oil on linde wood
9
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Albrecht Durer
The Adoration of the Magi
mk168
100x114cm
Oil on coniferouswood
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Albrecht Durer
St.Onuphrius
mk168
Oil on linden wood
58x20cm
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Albrecht Durer
St.John the Baptist
mk168
Oil on wood
58x20cm
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| Albrecht Durer
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b.May 21, 1471, Imperial Free City of Nernberg [Germany]
d.April 6, 1528, Nernberg
Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.
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